This monologue, though a little slow to start, turns into the greatest explanation of the artist’s existential condition that I’ve ever heard.
If we use this for the group, I’ll edit out the partial commercial at the end, obviously.
This monologue, though a little slow to start, turns into the greatest explanation of the artist’s existential condition that I’ve ever heard.
If we use this for the group, I’ll edit out the partial commercial at the end, obviously.